COMPOSITIONS

LARGE ENSEMBLE

(with or without electronics)

Coastal Portrait: Cycles and Thresholds

for orchestra and octophonic electronics (2024) - - 14'

Commissioned by the Georgia Sea Grant Artists, Writers, and Scholars program in collaboration with the Georgia Coastal Ecosystems Long-Term Ecological Research program
String Ensemble Version for A Far Cry

Symphony Orchestra version for the Georgia Tech Symphony

Ascendant Cycles (2023) - - 12'

(with Linqua Franqa) for hip-hop vocalist and wind ensemble

Co-composed by hip-hop artist Linqua Franqa and Peter Van Zandt Lane for the University of Georgia Wind Ensemble at the CBDNA National Conference (Nicholas Williams, director)

Rapid Unscheduled Disassembly (2023) - - 7'

for wind symphony

Commissioned by a consortium of ensembles lead by

the Truman State University Wind Symphony (Curran Prendergast, director)

Echo Chambers (2019) - - 10'

for wind ensemble and electronics

Commissioned by a consortium of ensembles lead by

the Pacific Lutheran University Wind Ensemble (Edwin Powell, director)

Chansonnier (2018) - - 10'

for wind ensemble

Transcription/elaboration on 3 chansons by

Josquin Des Prez (c. 1455-1521), for the UGA Wind Symphony (Jaclyn Hartenberger, director)

Radix Tyrannis (2017) - - 15'

for solo trombone and wind ensemble

Commissioned by American Chamber Winds for Joseph Alessi for the 2017 WASBE International Conference (David Waybright, director).

Beacons (2017) - - 14'

for wind ensemble
Composed for the UGA Wind Ensemble at the 2017 CBDNA National Conference (Cynthia Johnston Turner, director)

*Finale "Polaris" also available as separate work. - - 4'

Chamber Symphony (2015) - - 19'

for sinfonietta
Commissioned by the Barlow Endowment for Equilibrium Ensemble (Matt Sharrock, director)

Astrarium (2015) - - 6'

for wind ensemble
Commissioned by the Emory Wind Ensemble as an opener to Joseph Schwantner's Luminosity (Nikk Pilato, director)

Hivemind (2014) - - 8'

for wind ensemble
Commissioned by the Sydney Conservatorium Wind Symphony (John Lynch, director)

Slant Apparatus (2010) - - 11'

for chamber orchestra

(versions also available for full orchestra or wind ensemble)
Composed for the 2010 Composers Conference

SOLO WORKS

(with or without electronics)

Décalcomanie 2 (2018) - - 8'

for viola, electronics and video

Commissioned by Kurt Rohde

Studies in Momentum (2014) - - 11'

for piano and live electronics

Commissioned by Keith Kirchoff

Manteia (2008-2014)
Four works for bassoon and electronics

(Aeromancer, Hydromancer, Pyromancer, and Chronomancer)

Cæceilia's Iris (2012) - - 9'

for organ

Commissioned by the Eschler Foundation for Alexander Lane

Wicked Stride (2008) - - 5'

for solo piano

Composed for Yukiko Takagi

ELECTROACOUSTIC

Coastal Portrait II (2024) - - 20'

Electronic multichannel installation (looped audio)

Commissioned by the Georgia Sea Grant Artists, Writers, and Scholars program in collaboration with the Georgia Coastal Ecosystems Long-Term Ecological Research program for the Ships of the Sea Museum in Savannah, GA.

Prolation Study in Metal (2020) - - 5'

Fixed media, 3rd order Ambisonics

Composed for the inauguration of the Dancz Center for New Music Ambisonics Array

Crisálidas (2010) - - 4'

Fixed media, quadraphonic

Composed for the 2010 BEAMS Half-marathon
Based on a poem by José Asunción Silva

CHAMBER ENSEMBLE

(with or without electronics)

Anabranch (2023) - - 9'

for trumpet, piano, percussion, and electronics

Composed for SPLICE Ensemble

/plunk/ (2021) - - 6'

for alto saxophone, trombone, and percussion

Commissioned by the Forage and Flourish Festival

(p)neumes (2020) - - 10'

for flute, clarinet, violin, cello, and piano

Composed for Ensemble Vim

nodes.branches.loops (2020) - - 12'

for saxophone quartet

Commissioned by GMTA for Fuego Quartet

Composite and Parallax (2020) - - 9'

for alto saxophone, percussion, and electronics

Composed for Bent Frequency Duo

/chatter/ (2019) - - 6'

for bassoon, contrabass, and piano/seaboard rise

Composed for Subaerial Collective

Piano Quartet: The Longitude Problem
(2018) - - 20'

for violin, viola, cello, and piano

Commissioned by the Atlanta Chamber Players

Persistent Tracings (2016) - - 8'

for violin, horn, and electronics

Commissioned by Josh and Allyson Michal

/ping/ (2016) - - 9'

for cl., a. sax, tbn, pno, perc, and electronics

Composed for MOD[ular] Ensemble

Exergy Bubblebath (2015) - - 8'

for bass clarinet, 5-octave marimba, and electronics

Commissioned by Transient Canvas

Anonymous Dances (2014) - - 25'

for fl, cl, vln, vla, vlc, pno, perc, and electronics

Concert Suite from "HackPolitik"

Impulse Control (2012) - - 14'

for sop. sax, bsn, e. bass, perc, and electronics

Commissioned by the Barlow Endowment
for the quux collective

Busker Fantasy (2011) - - 9'

for percussion ensemble (5 players)

Commissioned by the Purchase College Percussion Ensemble

String Quartet #1 (2011) - - 18'

for string quartet with soprano voice and electronics

Composed for the Lydian String Quartet with Jennifer Ashe

7 Rants (2011) - - 13'

for wind quintet + piano

Commissioned by the 2011 Composers Conference
and Chamber Music Center

Poa Pratensis (2010) - - 7'

for electric guitar, flute, clarinet, piano, and percussion

Composed for International Contemporary Ensemble

Danzas Mecánicas (2010) - - 10'

for wind quinetet

Triptiek (2009) - - 9'

for tenor sax, bassoon, and electronics

Commissioned by Dana Jessen and Mike Straus

Fugue State (2008) - - 6'

for brass quintet

Composed for Triton Brass

Piano Trio (2007) - - 13'

for violin, cello, and piano

Composed for East Coast Composers Collective

WORKS FOR DANCE

Glass (2017) - - 35'

Quadraphonic electronic music for dance

Composed in collaboration with choreographer

Kate Ladenheim and the People Movers (Brooklyn)

HackPolitik (2013) - - 60'

A ballet for chamber ensemble and electronics

Composed in collaboration with choreographer Kate Ladenheim, the People Movers, and Juventas New Music Ensemble