LARGE ENSEMBLE

                                                    

Echo Chambers (2019) - - 10'

for wind ensemble and electronics

Commissioned by a consortium of 50 wind ensembles
lead by the Pacific Lutheran University Wind Ensemble

 

Chansonnier (2018) - - 10'

for wind ensemble

Transcription/elaboration of 3 chansons by

Josquin Des Prez (c. 1455-1521)

Radix Tyrannis (2017) - - 15'

for solo trombone and wind ensemble
Commissioned by American Chamber Winds

for trombonist Joseph Alessi

Beacons (2017) - - 14'

for wind ensemble
for the Hodgson Wind Ensemble for the

2017 CBDNA National Conference

Polaris (2017) - - 4'

for wind ensemble

Finale movement from 'Beacons'

Chamber Symphony (2015) - - 19'

for sinfonietta
Commissioned by the Barlow Endowment
for Equilibrium Ensemble

Astrarium (2015) - - 6'

for wind ensemble
Commissioned by the Emory Wind Ensemble

Hivemind (2014) - - 8'

for wind ensemble
Commissioned by the Sydney Conservatorium Wind Symphony

Slant Apparatus (2010) - - 11'

for chamber orchestra (version available

for full orchestra or wind ensemble)
Composed for the 2010 Composers Conference

SOLO (+/- electronics)

                                                                

Décalcomanie 2  (2018) - - 8'

for viola, electronics and video

Commissioned by Kurt Rohde

Studies in Momentum  (2014) - - 11'

for piano and live electronics

Commissioned by Keith Kirchoff

Manteia  (2008-2014)
Four works for bassoon and electronics

(Aeromancer, Hydromancer, Pyromancer, and Chronomancer)

Cæceilia's Iris  (2012) - - 9'

for organ

Commissioned by the Eschler Foundation for Alexander Lane

Wicked Stride  (2008) - - 5'

for solo piano

Composed for Yukiko Takagi

​​

CHAMBER ENSEMBLE

                                                              

/chatter/ (2019) - - 6'

for bassoon, contrabass, and piano/seaboard rise

Composed for Subaerial Collective

Piano Quartet: The Longitude Problem (2018) - - 20'

for violin, viola, cello, and piano

Commissioned by the Atlanta Chamber Players

Persistent Tracings (2016) - - 8'

for violin, horn, and electronics

Commissioned by Josh and Allyson Michal 

/ping/ (2016) - - 9'

for cl., a. sax, tbn, pno, perc, and electronics

Composed for MOD[ular] Ensemble

Exergy Bubblebath (2015) - - 8'

for bass clarinet, 5-octave marimba, and electronics

Commissioned by Transient Canvas

Anonymous Dances (2014) - - 25'

for fl, cl, vln, vla, vlc, pno, perc, and electronics

Concert Suite from "HackPolitik"

Impulse Control (2012) - - 14'

for sop. sax, bsn, e. bass, perc, and electronics

Commissioned by the Barlow Endowment
for 
the quux collective

Busker Fantasy (2011) - - 9'

for percussion ensemble (5 players)

Commissioned by the Purchase College Percussion Ensemble

String Quartet #1  (2011) - - 18'

for string quartet with soprano voice and electronics

Composed for the Lydian String Quartet with Jennifer Ashe

7 Rants (2011) - - 13'

for wind quintet + piano

Commissioned by the 2011 Composers Conference
and Chamber Music Center

Poa Pratensis (2010) - - 7'

for electric guitar, flute, clarinet, piano, and perc

Composed for International Contemporary Ensemble

Danzas Mecanicas (2010) - - 10'

for wind quinetet

Triptiek (2009) - - 9'

for tenor sax, bassoon, and electronics

Commissioned by Dana Jessen and Mike Straus
 

Fugue State (2008) - - 6'

for brass quintet

Composed for Triton Brass

Piano Trio  (2007) - - 13'

for violin, cello, and piano

Composed for East Coast Composers Collective

WORKS FOR DANCE

                                                        

GLASS  (2017) - - 35'

Quadraphonic electronic music for dance

Composed in collaboration with choreographer

Kate Ladenheim and the People Movers (Brooklyn)

HackPolitik  (2013) - - 60'

A ballet for chamber ensemble and electronics

Composed in collaboration with choreographer Kate Ladenheim, the People Movers, and Juventas New Music Ensemble

© 2019 Peter Van Zandt Lane. All rights reserved.

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