"And Peter Van Zandt Lane's "Magana". . . used Minimalist techniques as a springboard but headed off in different directions."

- - Allan Kozinn, The New York Times.
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"Peter Van Zandt Lane closed the concert with "Poa Pratensis," a concertino for electric guitar that would have come off as danceable if the propulsive rhythms hadn't been so unusual."

- - Adam Hughes, The Hoot.
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"Lane's {Triptiek for tenor sax, bassoon, and electronics} . . .opened with a "big band" jazzy flourish followed by usy figuration and suprising lyricism. . . " - - Vance R. Koven, The Boston Musical Intelligencer.
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"[A composer] with an extraordinary sense of rhythm. Watch out for this one."
- - Francisco Kröpfl.

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"Beautifully layered sound, really thick, perfectly balanced- [music that] gives an amazing first impression." - - ShesTheMorningandtheNight Music Reviews

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Cleveland Orchestra Reading - Nothing about the music... But theres a nice picture of me and Andrew Grams, intensely staring at my score in front of the Cleveland Orchestra.
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